Few things get me off my sickbed quicker than the National Health Service prospect of a decent electronica album. Bitbasic, already the recipient of a CTW review (the lucky beggar!), has provided the medicine and called it, er, Leonard. He made it in a month as part of the RPM Challenge, netaudio's equivalent to National Novel Writing Month. Now, don't curl your lip. The Beatles' early albums and Mozart's last three symphonies all took less than a month to come to fruition. Leonard isn't quite in that class - but it's still a boatload of glitchy, grooving bliss.
My first (gasp! You mean there's more than one?) recommended track, Choice of Harp, ably demonstrates that sampling doesn't have to be all about chopping a choice hook or stuttering a vocal to within an inch of its life. It's one thing to slap a hip-hop beat over a sedate conversation about harps; it's another to add sub-bass and phasing synths and thus create electronica that conveys emotion.
Wanton artiste that he is, Bitbasic has divided one of his songs into three parts and placed them at the start, middle and end of the album. Called Might...As Well...Not Bother, it will force those of you with Obsessive Compulsive Disorder to put them together on a playlist. It will also compel fans of Radiohead's Kid A era to send it to their nerdy perceptive friends.
*taps screen*
I said Radiohead. Wake up at the back there.
To save space, here's a summary of what else is here: Treeboy (jazz guitar & glitch); Skuppered (glitchy breakbeat with a lovely dash of chiptune); Mignon Forestry (crushed beats and soothing synths); Cdr882 (huge pads, a mid-section straight out of Pink Floyd and a headlong rush to sonic destruction); Six Junglists (breakbeat and suitably fast accompaniment); I Love Flin (chiptune, glitch, breakbeat and comedy carhorn) and Ode to Seed (ethnic percussion, reverberating sweeps, ring-modulated* percussion).
One of Bitbasic's most appealing characteristics is his gadfly nature; he can turn his hand to so many electronica genres that it's impossible to predict what's going to pop up on one of his tracks. For example, Plinks and Plonks for Stonks is a glitchy groover with acidic Daft Punk overtones and a ridiculously gorgeous sinewave-ish refrain. I can't resist giving it an outing.
Bitbasic - Plinks and Plonks for Stonks
Some of my trillions of readers flipped over Bitbasic's Grating Rainbows - they'll definitely want to meet Leonard. Although there's no tip jar or Paypal icon at Bitbasic's site, please think about sending him a "thank you/I want your babies" email.
Bitbasic - Leonard (link to individual mp3s & zipped album)
Rec72.net netlabel (German supplier of beats to the gentry)
*This is me attempting to sound knowledgeable and making a complete fool of myself.
